Dr Emit Snake-Beings
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Publications

Snake-Beings, E. (2015). Trash aesthetics and the sublime: Strategies for visualising the unrepresentable within a landscape of refuse. New American Notes On-line, 7(The Aesthetics of Trash).
Snake-Beings, E. (2014). DiY participatory culture: Allowing space for inefficiency, error and noise. Acoustic Space #12 (Techno-Ecologies II), 37-46.
Snake-Beings, E. (2013). From ideology to algorithm: the opaque politics of the internet. Transformations Journal of Media & Culture, (23), 1-8.
Snake-Beings, E. (2013). The construction of Karen Karnak: The multi-author function. Media International Australia, Incorporating Culture & Policy, May(147), 40-50.

Publications currently accepted for publication in 2017:

‘It’s on the tip of my Google’: Interactive performance and the non-totalising learning environment. (E-learning and New Media journal – Sage Publications Australia)

Techno-animism: The DiY (Do-it-Yourself) ethos, re-functioning and the engagement with ‘material media’ (Continuum: Journal of Media and Cultural Studies, Australia)

Community of difference: the liminal spaces of the Bingodisiac Orchestra.
(Community music journal- Intellect Journals, UK)

The aesthetics of re-functioning: The Trons robot garage band. (Craft Research Journal - Intellect Journals, UK)

‘Machine-talk’: The Trons (Robot garage band) & Bingodisiac (Human noise orchestra). (Leonardo journal: MIT)

 

 

http://orcid.org/0000-0002-5828-4603

 

 

 

 

 

Macrography
Electrickery
Shrines
Ethnographic
Linguistic Masticators
Performance
Soundscape
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