Snake-Beings, E. (2015). Trash aesthetics and the sublime: Strategies for visualising the unrepresentable within a landscape of refuse. New American Notes On-line, 7(The Aesthetics of Trash).
Snake-Beings, E. (2014). DiY participatory culture: Allowing space for inefficiency, error and noise. Acoustic Space #12 (Techno-Ecologies II), 37-46.
Snake-Beings, E. (2013). From ideology to algorithm: the opaque politics of the internet. Transformations Journal of Media & Culture, (23), 1-8.
Snake-Beings, E. (2013). The construction of Karen Karnak: The multi-author function. Media International Australia, Incorporating Culture & Policy, May(147), 40-50.
Publications currently accepted for publication in 2017:
‘It’s on the tip of my Google’: Interactive performance and the non-totalising learning environment. (E-learning and New Media journal – Sage Publications Australia)
Techno-animism: The DiY (Do-it-Yourself) ethos, re-functioning and the engagement with ‘material media’ (Continuum: Journal of Media and Cultural Studies, Australia)
Community of difference: the liminal spaces of the Bingodisiac Orchestra.
(Community music journal- Intellect Journals, UK)
The aesthetics of re-functioning: The Trons robot garage band. (Craft Research Journal - Intellect Journals, UK)
‘Machine-talk’: The Trons (Robot garage band) & Bingodisiac (Human noise orchestra). (Leonardo journal: MIT)