. .What is this programm any way, .before we switch
it over, ,T.V. guide, ,wheres the revue. ....
.. . .News at ten ? oh well obviously it is highly dr-

-amatised, , what whith the gravity of what they are
reporting, ,but it is real life all the same...

first of may 1993

Scalples for doubt not.Looks realistic doesnt it.Music

lumps reverberate in the throat.Who do they think they

are.. .sedatley smashed archytype;

The organ player transmits the rich sickly syrup of em-

-otional decay cranking gospel greedy, faster and bright
silver treackle falls hard and naked .Time inditinct drags
behind the transmuted sound into hard crystaline, , jagged
and soiled. Geometric sound splintters raining down on
fragile syrup smeared slugs.The orchestra non-solid lea-
pes thin over the abyss hung on one note in november air
panic struck devour syrup like greek guests.
Lower frequency frenzy last kick and volume diies .slow
to die twisted, sever the mind coils of multi-layered
television clusters, soft heads peel, scalple for doubt
not.for ozone monks disintergrate....
Mr S.V.Mattlock.

Mr Mattlock is on a bus, or tube train, an ox cart or
pit pony, depending on the Timezone that Is observed
Dreaming the bored thoughts that endlessly repeat due
to mechanical transportation to the work place, hes st-

-uck on the idea that there, is nothing more than all th-

-at he can see before him, i s only this Journey that is

soon to terminate in the arrival at his work place.

A mass illusion that is just here to observe, never to t-

-ake part in. always on the way to work, suck at the m-

-eans to surrvival and then never the ends, endless ad-

-verts scream in his head;" buy this or die" and louder
volume piecing screach of ;" to buy is to survive ".
for why else endure the reality of work, stuck at the
means, fallen asleep in front of the television of life.
Several different scenes of going to work flicker, each
moving towards at one frame per sixteen, one frame per
Timezone per second .The effect is a chaotic buzz of '
images, all the details like year and location change
constantly while the only common element in each fr-

-ame is the characters in the carrage/cart, for these
are people trapped in time loops of ever repeating lives
differing in minnor details but -exactly the same in ess-

-ance, , an endless chain of people going to work .the
rambling word thoughts in endless loops of Time witho-

-ut escape.

One of the characters caught in the trap maybe realls-

-es it, or else they become currlous as to what the me-

-aning of the parreltal scenes of themselves In the same
circumstances throughout time, that they may have caug.-

-ht a glimpse of .The realisation of this character: a
particular bus sine ssman looking type, a long time trap.ee
forces him into an interaction with a time monk who has
Infiltrated the scenes for a purpose of her own research
a;bussinessman; " So you believe that none of this is
real do you, that work is a waste of time and not more
than mere survival: well I have proven you wrong for I
have broken out of the trap of un-reality and observer
non action that you and you kin believe to be inescap-

-able, or at least I Intend to do so :right now"

A leaps at the Time monks throat violently, gripping ti-

-qhter all the time.                             1 2