' a mil y packs. .as if the majority of people live in these
;ontraptions. . .no one I know. .Winding script and solid
etters on every pack. out number the inner dialogue in
nass and colours. . .dialogue spills from the confinds of
he head. .out all the words over. .tripping feet and blind
ng eyes to the scripts of insane packaging mentality. .
)locks hearing and is seen in the cold blue supermarket
ticker dancing on the head of a pensioner. . .as medieval
ingels used to dance on pin heads, .now words float atm-
-less distached from places 06 or'gin . .in and out of the
iars of shoppers and consumers alike, .words that bind
)asta -like around the necks and eye lids little to their
;nowledge but the beatfull inner words oroduct'ons. .
.railing and coiled constrictor snake like . . .kill a subject
strangle all life out of a subject. . .a mass of ant-words
nultitudes. .crushed on blotting paper, .oackaged out as
i book... .got the picture.? These ants eet a1! in their
aaths... just like the film but all of this is In t^ie heed.




Oh shit their're coming back and the cruest'ons un -

-anwsered.

The door knob had turned and the interviewers had

returned to the rooum ..while me. I had'nt yet finished

the ultimate guest.not yet sety pen to paper as they

say. .had to halt this inner dialogue, .day dreams I've

heard them call it. .act sane and reasonable.

" And could you tell me why you want to work in the

furniture store wharehouse. . ? "

" Weel if I may be allowed to explain in full my reasons

and ideas behind the application of the aforementioned

job. . .To expand on my reasons . to reiterate is an

endless fashion. . . . "

But I must b»eak wway from all of this mundain interupt-

-ions and go back to the inner dialogue far out of reach
of all these Humanold distractions to self. . .as I was
saying _. .or I may have been thinking. .THere is a vast
history of knowledge splitting.Turning one subject into
one catagory another in another and so on. . .none of it
is real, .there is but one form of learning. . .all else is
irrelllvant ..the twitching insect hand of the painter the
scientifically sealed brain .Religous mind of the murder-

-er pope. All saying that nothing can be heard/seen/-
. -perceived unless it has been perceived before communi-

-cation in a foreign language 's 'mpos'ble.a set of codes
•must be pre-arranged and designed before hand... the
scientific definition of perception could be "Understanding
through the normal sense channels that which may be rec-

-ognlsed ". . . . .so how can we expand within the tight
confinds of this language.We have no choice but to
redif'ne the structure.as I would normally say" Fuck it
all up. Let the Gods of Chaos prevail "

So