Extract from a seized unoffical guide book whic.timay
contain scenes viewers may find offensive.    1?" '

"Human eye terror cuts the madness in the HawtHom^ /
wood surround then bites deep into the already 'sic^en-^0

-ing tree stump reality. That is used the magicka'l metn'-"

-ods to gain access to the Astral plane.Decide to/turn'-on
the off beat and spinning around catch the red corpu set's
on the run laugthing at the song of winters d'eath ^.•^"'^ :

Seen by the crossroads propergander televisual, /.'.sirig-

-ing to the moon and the sun already dymg down''over the
horizon .decide to cut the channel and order the odds'of
chaos to their doom. Chuckling now at the funny "d" in'
the mixed type writing and re-hashing the lost devilary
with the new found valid experience... sheltered from hte
hidious first word draft blacked out from the steel ribbons
cut tendons.                              "' ":' ''  :i
.Out there beyond the door of your own creation cuflnfo
pure reality with the stone chiseled will of tMe'ma.gus-.^'
The scene lies discoloured and figured by the rays of'a"
gross and indeterminable mear machine that'lacks'its:'"'
own reality until eaten and feasted on the mindsof'those
unfortunate vieweers .. They then lack the inner^vi'et'ving
invention capacity to unlock the door of their own 'creation
and so lacking so turn once again to the box of de struct -

-ion blaming all at once those that have the will To'unlock
open the door created at their own bidding. '' ' ' ', '' '"'
Eventually it had to happen that as of now the'Guards'to
this wall to the abyss have left their posts and now forg-
ott-en the passwords of their own creation. . .they leaye'the.
the door wide open to any and all that will enter and as
such mass industrial tourism has taken over :and any that
can leave the screen for a short while unaccompanied'"
by flesh may journey the Abyss without passwords ,creat-
.-ion nor filtering .The guardians to the Astral have left
their tedious jobs and sit idle now at the screen watching
their own forms and creations sold back to therm;   :

I wander along unaided and as I please alone the
unofficial, routes unt1! I reach where I am aimed the
Astral writings dept where the history of Humanities
real history of Magickal developement is located.
These-books detail the whole secrets of every system
of magi ck ,through the ages and it is a particulgfly ob-

-.s;c,ur.^ braqch of Nordic Rune magick that I aim to res-
,-earch in these records.

The.bc&k s ,in such a place are r'pped and magot pddled
unread by,the invading tourist and deserted by the new
curators tq a state of decay. You enter such a library of
.worm bopks ;and fall short in the growing haze' as a thou-

-sand .deaths heads word lines run out screaming to be
read and not dead in the fading ink of centuries past.
Meanwhile all forms of modem devilary sit about in co-

-mf.prtabl^e.. leather televisual pc interviewers bound
chairs. .c\, parasitical television personalities that
have taken the records section as their rest room off
screen,.;. .cockroach cathode stars that bum bright er
than the. real stars obscured by the orange neon streetl-

-yghting,.-glare harshly obliterating the rising falling
dawn ,a.nd call .their own tunes in three notes now one.
M.onofhepretical monsters with feet up on the ancient

,.as,trarb6oksrip pages out to wipe limelight make-up
qff cracked faces.. .idling chiseling out there scripts

_acrb';ss clear white light and quoting out of context.

.the historical books malhandeled and shat on by a
thousand'phoney resting shakespearians on screen.
The far travelled adept rips hair from head in frenzied
anguish'at'the desolation of what was once the source

.of, all, magical knowledge. . .Frustration at the inflltra-

-ting television personalities idle yet to be written
that"p6llute all areas of this world beyond doorways of
own creat'ibn.

QneJast look at the wreckage of ripped paper learning
. , .Ricks up a book from the mash soaked 'n skin cream
aniid.s^ the. Jeers of the actor personalities, .a mob of
maddnes.s,,.reads to f'nd the whole system rearranged
in a non - linear form as according to contempory styles